Tuesday, October 23, 2012

Weekly Blog on videos Assigned



Jan Svankmajer’s Darkness/Light/Darkness seriously made me a little sick. Why was it sickening? Because the human parts were moving and organs were showing and the body parts were moving individually. It was not a pretty sight. It starts out with two clay hands and then forms to become clay human that is stuck in a tiny room with one light. The disturbing part is the fact that the clay human body parts are apart and the hands put them together. Some vulgar images include an actual tongue and brain that are placed in the clay head. The is obviously not suitable for children. The clay man is also completely naked, and the character is a man, because it was emphasized. Therefore this is definitely a video for mature people.
Dimensions of Dialogue Part 2 shows a female clay person and male clay person (same male from Darkness/Light/Darkness) consuming their love which resulted in an unwanted pregnancy. The video depicts that unwanted pregnancies cause tension between the two lovers and thus become chaotic.

Svankmajer’s Food is separated in three parts breakfast, lunch, and dinner. Breakfast shows people waiting in a long line to get there food. The food vendor is another human being, that delivers food like a vending machine. One person from the line puts money in the person and follows the instructions and then when that person is done eating the “vender” comes back to life and leaves the room, and the person that purchased the food becomes the vendor, it continues in that cycle. Lunch starts out with two customers in a diner. One is rich and the other is in a lower class. Both cannot get attention from the waiter and end up eating everything on the table, their clothes, table cloth, shoes everything. At the end the rich man even tries to eat the less fortunate man. This shows that two people from different classes can act in the same way, and usually the poor follow the rich. It also shows that the well mannered person can turn out to be more inhumane than the unmannerly person (another way of saying, “don’t judge a book by its cover). For dinner it shows four different people adding spices and sauce to their own body part. Each character eats a part of their body that identifies who they are. A married man eats his hand that shows, he’s a husband. A athlete eats his leg, that shows he’s a runner, a woman eats her breasts which shows that she’s a women (how sexist! A woman could be represented in other ways and known for other things.) Lastly a man eats his penis showing that he’s a man. This animation shows how humans can be very inhumane at times.

Pen Point Percussion shows the different perceptions and views of sound. It can be seen as sound waves, or musical notes. Mostly it is the patterns shown in sound waves. Norman McLaren draws sound on film and it creates sound based on the thickness and size of the shapes drawn on the film. The size determines the volume; the tone is controlled by the shape. This process allows me to appreciate the technology we have today, we don’t need to draw the sounds we want in our animations. Although, it’d be nice to create sounds by drawing them.

Patchman Work is very unique. It’s interesting that the video was inspired by every memory he has regained after losing consciousness from a car accident. The video is a stop motion that shows a collage of different facial parts. Not only were the images collages but the sounds was also a collage, this work is very unique. I like the seamlessness and how the sound and pictures correspond with one another. The rhythm and timing was perfect. The artist’s story reminds me of the book Catcher in the Rye because he realizes how phony he was before the accident. He saw that he followed everybody’s feelings, actions, and words. This led him to dissociate himself from others. He wants to escape society and reject societal expectations of everybody. It’s almost as if the artist is saying that we are all puppets that act to the wishes of the puppeteer aka society. 

Review on Quay Brothers exhibit


The Quay Brothers’ exhibit in the MoMa consisted of many stop motion animations and other works by the brothers. It felt as if we were in a timeline of the Quay Brothers’ works from beginning to now. Being in the exhibition was like being in the minds of the brothers, the paintings they used as inspiration were put in the exhibit as well, it kind of gave me a feeling as though I were looking at the wall of the Quay Brothers’ studio. Most of their films and art pieces were dark and gruesome. It consisted of doll parts and hardware like light bulbs as heads and hooks and hands. The atmosphere was dark and blurry. The MoMa also featured the environments made by the brothers, we were able to look into the magnifying glass and see the content and the thoroughness of the environments/stage the brothers create for their animations. I felt the Quay Brothers really allowed a connection between the characters and the environments they set up for their characters, which created a sense of realism in their works. The dolls interacted with everything, the beds, coming out from under a door, using scissors to cut the other doll. Personally, their work was a bit freaky and I already feared dolls, this added to the fear (couldn't sleep after the exhibit). However, I must say I really loved how much movement and the characters have and the relationships they have with the environment. I also love how they use every little detail for their stage.

The only animation that did not freak me out too much was The Calligrapher; it was short and to the point.  The character and the stage were made of paper cut outs, not dolls. I like how the colors of the feather pens stand out from everything else, like how it’s suppose to. My favorite part is when the drawing of the feather pen came to life. I enjoy animations that have drawings coming to life, like Max Fleischer's Out Of the Inkwell.

Tuesday, October 16, 2012

Text Animation


Text animation for I, Too Sing America by Langston Hughes
Dialogue/ Audio taken from Great Debaters movie, the part where Denzel Washington's character recites Hughes' poem.

The Quay Brothers



The Quay Brothers are twin animators. The influences for their animations range from animators, puppeteers, writers to composers. Due to this range of influence, the Quay Brother’s works usually consists of these features. They use puppets made of doll parts in most of their films and their most successful work, Street of Crocodiles, is actually based on Bruno Schulz’s novel, this shows how much puppeteers and writers influence the Quay Brother’s works. The Quay Brothers prefer to use musical scores in their works, rather than dialogue. According to Wikipedia, the brothers have said that they “prefer to work with pre-recorded music.” The Quay Brother style is often dark and freaky, almost Halloween-like. The doll puppets certainly contribute to the dark tone in their films. The Wikipedia article states that the brothers attended the University of Art in Pennsylvania, and moved to London in 1969 and attended the Royal College of Art.  They were illustrators before becoming animators. They illustrated drawings for Anthony Burger’s The Clockwork Testament, or Enderby’s End and Karlheinz Stockhausen. 



Wednesday, October 10, 2012

Week 4 Blog Post

Max Fleischer's Out of the Inkwell was made through rotoscoping, a technique Fleischer invented. It is a technique that requires a transparent easel and a projector behind it. The projector will throw images frame by frame and the animator would or artist would have to trace the frame by frame images to create a animation along with live-action film. I really enjoyed this animation, it was both inspirational and comical. I love how the drawings were still for a few seconds and then they came to life. The clown was alive! Literally! It came out of the easel and interacted with the environment. It was a character the viewer can relate to. There were shots where the clown went out of the frame and then back again from behind the house, which created a seamless animation. There were also different animated characters that interacted with the clown, like a cow, bear, and dog, and they all came from the cracked hole. Anticipation was definitely a big part of this film, the whole time, I'm wondering what the clown will do next and I'm also wondering is the clown going to come out and eventually it did. The text was also a great part of this silent piece because it gave the characters more personality. The music also gave the audience the expectations that it would be a comical piece. Everything was seamless till the very end. Rotoscoping is definitely a effective way in story-telling. The reason is because it brings animation to life and in this particular piece, the viewer sees the character (the clown) being created and coming to life, which really allows a more engaging experience for the viewer.

This is my favorite piece out of all the animations for this week because, the story for this one was more captivating. The Dakota piece was very very unique, however it was way too long and tiring to sit through and watch, and the beating drums along with the fast text had that heart attack effect one me. I tried to watch another one of Chang's piece, Riviera. Rivera was worst, I got dizzy the first twenty seconds and just could not go on. Rivera had four sections with moving words, and I tried reading it, which was the reason I got dizzy. All four sections were moving simultaneously, in different directions and it felt as if I was twirling around in a circle. "Early Abstractions" reminds me of a kaleidoscope, which is probably the intention. It's as if the patterns turn into different figures and then come to life and do something and then go back to being a pattern and, it repeats over and over again. Then we have Norman McLaren's Neighbours. Neighbours is a antiwar film. that uses pixilation. Pixilation is stop motion animation, except with real live actors. Neighbours is about two neighbors that fight over a flower. The neighbors fight till both of them die and it was not till their death that the two had peace and each had a flower. The message behind this is that countries get into war, fighting over one thing and they will not get what they want until they fight to the death. There's no point in winning when you've died and cannot appreciate the "award." McLaren did a exciting thing in this piece, he made the characters float in thin air, I like the idea, but was not sure if the characters were so excited about the flower to the point where they floated or if they were "high". Lastly we have Science Friction, film by Stan Vanderbeek. Vanderbeek used collages to create his animation, and I love that idea. It's both very artistic and different, because it's cut and paste unlike the the usual draw animations.